Providing expertise for
publishers, authors and readers
Reading Younger
Mar15

Reading Younger

A goal of mine at this time in my life (living through lockdown, post-divorce) is to read as much as I can. I want to read new books and be up-to-date, and I want to go back and fill in gaps in my reading. And so here is a gap I must admit: as a child, I never read The Lion, the Witch and the Wardrobe. In fact, there are a good many gaps in the category of classic children’s lit in my reading past, but this one seemed very glaring and so, a few days ago, I grabbed a copy from the shelves at my B&N, bought it, brought it home, and read it overnight (one benefit of reading children’s lit as an adult – it’s quick!) I have at last become acquainted with Peter, Susan, Edmund and Lucy, and I have been with them on their travels through the back of the wardrobe and into Narnia, at least I have accompanied them on their first journey to this foreign land; I know they have other forays there, but this will be the end of the line for me. And here is a downside of reading children’s lit as an adult – one might not be quite as entranced by it as one might have been in one’s younger and more easily-pleased years.  It was sweet, and I liked the charm of the writing, the way the narrator made himself known now and then (an interesting writerly technique – take note!). And now I have seen a bit of Narnia, met Aslan the kind and all-powerful lion, and encountered the White Witch. All good. Well, except it is my understanding from what I know of the author C.S. Lewis that this book is actually heavily symbolic with Christian theology. Even I can see that, given that Aslan is killed by sacrifice on the stone table and then resurrected, that he might just be a stand-in for some other popular fellow from another book. And so, a little research is required as a follow up to my reading… ok, yes, Aslan is a Christ figure, and the Witch represents Satan and the story represents a Christian’s journey and so much more, but as generations of kids already know, it’s possible to enjoy it simply as an engaging fantasy story. The day after I read the book, I talked to Deb and Theresa, two regulars at Barnes & Noble Wilmington who show up most mornings for literary conversation. I barged into their chat and announced that I had at long last read the Narnia book. “What did you think?” they...

Read More

A Get Lit with Lynn update for the week of March 1st

If you signed up for the “Get Lit with Lynn” virtual event (which you can do by emailing me here), this is the letter you would have received today, 3/2/21. Dear Bookies, I miss you already! Instead of being with you this Tuesday evening, I’ll be at Barnes & Noble counting books. But I’m already thinking about when we can meet again and I’m cooking up new programs for us! In the meantime, I thought I’d send you an update, because a number of major authors have new books coming out today. Here are a few of the ones that interest me the most (some of which I did mention last week). Anne Lamott’s new book comes out today. Called DUSK NIGHT DAWN: ON REVIVAL AND COURAGE, in it she asks: How can we recapture the confidence we once had as we stumble through the dark times that seem increasingly bleak? Lamott is a writer who really knows how to say what she’s thinking and to analyze what she is experiencing, and she can be bold, bawdy, and irreverent, all the while being extremely faith-based. Her book about writing, BIRD BY BIRD, is certainly one of the top ten writing books ever. In my canon, it’s in the top five, and maybe even number one. Here is a piece about her new book that I think really gets at the essence of Anne Lamott. Kazuo Ishiguro has a new novel out today, KLARA AND THE SUN. Ishiguro is a fantastically talented writer with a wide range. While some writers stick to one setting and one style, Ishiguro is all over the place, and wherever he goes with his writing, he does it well. You might know him best for one of his most famous books, THE REMAINS OF THE DAY, which took place in mid-20th century England and was about a butler reminiscing about his years of service (played by Anthony Hopkins in a wonderful film). Other work of his is more futuristic, and one book, THE BURIED GIANT, is an allegory that takes place in post-Arthurian England. This new book is more along the lines of directions he explored in NEVER LET ME GO, and I don’t want to give anything away, but it’s hard to imagine this book will disappoint. Today includes a big publishing event: Michelle Obama’s hugely successful memoir BECOMING is finally coming out in paperback as well as in a young readers’ edition. Publishers release most books in paperback about one year after their original hardcover publication, however, with some popular books, they wait longer if the book is selling well in hardcover. Some...

Read More
Perfect Tunes by Emily Gould
Feb18

Perfect Tunes by Emily Gould

I tried to write a quick post about this book, but instead I went down a rabbit hole. What I had intended to say was something along the lines of this: I spent two nights staying up way too late reading this book, in the end it was not justified. I was not moved by the character or her plight—or more specifically, by the way her plight was expressed. Instead I decided that, before writing my post, I would read some reviews of the book and see if anyone else agreed with me. But first I read the back cover of the book (always a mistake to read it first and, as usual, it gave away much of the plot). And then I focused on the 3 blurbs that were on the front and back cover, glowing reviews from well-known writers. On the cover was a quote from Stephanie Danler, the author of Sweetbitter, a book I quite liked. That is what probably originally motivated me to read the book, that and the fact that it’s (supposed to be) set in the music world (warm memories of reading and greatly enjoying Daisy Jones and the Six by Taylor Jenkins Reid – a much better book, read that one instead). I dunno – maybe these writers are friends of the author’s – the book I read doesn’t deserve the raves these writers gave it – sorry. But I was taken by something Danler said about the author – she called her “one of the most essential writers of the internet generation.” What exactly does that mean? I wondered. What is/who is the internet generation and why is Emily Gould essential to it, according to Stephanie Danler? So I decided to Google the author and learn more about her. And thus: rabbit hole. Emily Gould has a lot of cool things in her bio. She co-runs a publishing imprint called Emily Books. She is married to the author Keith Gessen. I read his novel A Terrible Country, about a Russian man who returns to Moscow after many years in the US and what his experience there kind of caught between two cultures is like. I taught the novel in my Hot Off the Press class and we had a great discussion about it. But Emily Gould is perhaps best known for an incident that happened when she was interviewed by Jimmy Kimmel who was, at that time, guest-hosting the Larry King show. Gould was then working for Gawker media, and oversaw something called the Gawker Stalker, in which people could post celebrity sightings. Kimmel and his guests excoriated her for running...

Read More
Recent Reading: Lydia Millet & Ethan Hawke
Feb14

Recent Reading: Lydia Millet & Ethan Hawke

For my Hot Off the Press class, last week we discussed A Children’s Bible by Lydia Millet, chosen because this session we are reading prize winners or nominees, and this book was on a lot of “best of 2020” and award lists. I liked it very much and was surprised how many of the class participants did not enjoy the book. What I liked… The writing is excellent (we all agreed on that). The story is told from the point of view of a teenager and I think she did a great job with the voice; it was very convincing. (Although I can’t say I’m the best judge of authentic teenager speak these days!) The frame of the story is that a group of families rent a big old mansion (said to have been built and owned by “robber barons”) near a lake and the ocean somewhere in New England to spend the summer with their families. The parents are old college friends and haven’t all been together for a long time. They are artsy professionals. The kids all sleep upstairs in the attic and totally disdain their parents – in fact they won’t even admit to each other which ones of those embarrassing adults are in fact their particular parents. All goes wrong when a storm hits and, since this is climate change fiction, the storm changes the world. It’s actually many ongoing storms that devastate the eastern seaboard. The kids escape to a farm, leaving their parents behind. The book is a parable. It’s a devastating critique of people ignoring climate change. As the author said in a separate interview, she can’t understand why more people aren’t freaking out about the issue, and this is her call to arms. She herself has a master’s degree in environmental policy and works at the Center for Biological Diversity. Readers felt the parents were presented as too “extreme,” i.e. all bad – a bunch of uncaring, oblivious slugs. I guess my response to that is: unreliable narrator. The bible referred to in the title is a children’s bible that one of the young characters, the narrator’s younger brother Jack, is given by one of the parents and begins to read, well, religiously. His own take on the bible has to do with science and nature, and his interpretation of the book leads him to do things like collect the animals and bring them to safety before the flood. I enjoyed finding the many other biblical parallels in the story. Another Book I also just read Ethan Hawke’s new novel A Bright Ray of Darkness. The multi-talented Hawke tells the story...

Read More
Hot Off the Press Winter/Spring 2021
Dec25

Hot Off the Press Winter/Spring 2021

Our Hot Off the Press book discussion class is celebrating its tenth year! Join the new 2021 session, launching January 13th! If you love a book conversation that’s lively and engaging, where we talk about the book thoroughly and thoughtfully, then this class is for you. Led by long-time teacher and publishing professional Lynn Rosen, this class tackles brand new literary fiction. Class conversations include analysis of the book as well as background information provided by Lynn about the author and the book’s path to publication. We talk serious book talk, but have a lot of laughs too! The 2021 session of HOTP includes five class meetings in which we will be reading some recent award winning new books. CLASS DATES/TIME: Class meets virtually via Zoom on Wednesday evenings from 7pm EST to 8:30pm EST on:January 13February 10March 10April 7May 5 CLASS COST & LOGISTICS: LOCATION: via Zoom; link to be provided to participants. COST: $165Books are not included in the cost. Email lynn@lynnrosen.com to register. Payment can be made by check or Venmo. Special Offer: If you’re new to the program and want to try out a class or two, contact lynn@lynnrosen.com and we’ll arrange that for you. CLASS READING SCHEDULE:  January 13Shugie Bain by Douglas StuartWINNER OF THE 2020 BOOKER PRIZEShuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings. A heartbreaking story of addiction, sexuality, and love,  February 10A Children’s Bible by Lydia MilletFinalist for the 2020 National Book Award for FictionOne of the New York Times‘ Ten Best Books of the YearPulitzer Prize finalist Lydia Millet’s new novel follows a group of twelve eerily mature children on a forced vacation with their families at a sprawling lakeside mansion. When a destructive storm descends on the summer estate, the group’s ringleaders—including Eve, who narrates the story—decide to run away, leading the younger ones on a dangerous foray into the apocalyptic chaos outside. March 10Hamnet by Maggie O’FarrellOne of The New York Times 10 Best Books of the YearA bold feat of imagination and empathy, this novel gives flesh and feeling to a historical mystery: how the death of Shakespeare’s 11-year-old son, Hamnet, in 1596, may have shaped his play “Hamlet,” written a few years later. A luminous portrait of a marriage, a shattering evocation of a family ravaged by grief and loss, and a tender and unforgettable re-imagining of a boy whose life has been all but forgotten, and whose name was...

Read More